电视连续剧《大宋提刑官》(下文简称《大》)的热播与得失有其文化依据,本文侧重三个主要方面的渊源与现实、传承与发展,试谈如下。一、公案戏与清官情结《大》剧的题材归类按传统的分法当属公案戏或清官戏。界定是否为“公案”,须有官吏审案这一基本内容,还应包括发案、判案、结案三层结构。宋元时期或更早就已经产生的公案戏还需有两个条件,一是案情比较复杂,太简单就失去了“戏剧性”;二是最终案件被侦破,坏人受惩 There is a cultural basis for the success and failure of the TV series “Great Song Torture Officer” (hereinafter referred to as the “Great”). This article focuses on the three main aspects of the origin and reality, heritage and development, as follows. First, the case of play and honest government complex “big” drama subject classification according to the traditional sub-law was undisputed public drama or clean government drama. To define whether the “public case”, there must be officials of the basic content of this case should also include the crime, sentenced, closed three-tier structure. There are two conditions for a public case that has already been produced in the Song and Yuan Dynasties or earlier: first, the case is complicated and too simple to lose the drama; second, the final case is detected and the villain is punished