《海的女儿》与《一个陌生女人的来信》,都是关注女性主体的爱情悲剧,讲述单向爱人的情感经历和心路历程。这两部同构异质的作品,一方面遵循共同的故事模式:错位相遇——寻求男性认同——确认失败(死亡超越),“海的女儿”俨然成为“陌生女人”的化身;另一方面身份确认代表着不同的意义,前者是对父权社会的认同和超越,而后者则是恋父情结的再现。 The daughter of the sea and the letter of a strange woman all are tragedies of love that focus on female subjects and tell the emotional experience and the mentality of one-way lovers. These two isomorphic works, on the one hand, follow a common story pattern: dislocation encounter - seek male identity - confirm failure (death beyond), On the other hand, identification of identities represents different meanings. The former is the identification and surpassing of the patriarchal society, while the latter is the reproduction of the love-father complex.