点击理由刘元堂最早是因他的小字行草书为书坛所知,其小字风流蕴藉、倜傥不群。但近些年来他对书法史上的经典之作,对自己书风的取向都有着颠覆性的认识,他从追求细线条的流动感到追求粗线条的分量感再到追求由“草情”主导的节奏、笔法和气韵,一步一步,稳扎稳打。他不迷信古代书论,更不趋向时风,一直坚持独立的思考和区间开阔的技法训练。他的草书写得轻松圆融、气息贯通,同时笔墨沉实,笔势飞动,体现出他对经典法帖的熟谙、对当下流俗书风的深刻反思,对“计白当黑”理念的洞悉和对草书线质丰富的理解。 Click on the reason Liu Yuan Tang was first learned because of his small cursive script for the book, its small style of Merry Yun, no shy. However, in recent years, he has had a subversive understanding of the classic style of calligraphy in his calligraphy history. From his pursuit of the fine lines to the pursuit of thick lines, he has been led to the pursuit of “grass” The rhythm, style and charm, step by step, steady and steady. He did not superstitious ancient calligraphy, but not trend-setting, has always insisted on independent thinking and wide range of skills training. His cursive writings are easy to blend with each other and breathe through. At the same time, his brushwork is solid and his gestures are moving rapidly. This reflects his familiarity with the classic Fateh and his profound reflection on the current custom of calligraphy. Insight and understanding of cursive line quality.