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(接上期)赵承伟:(三弦演奏家,中国音乐学院副教授、硕士生导师、器乐系弹拨教研室主任)民乐界有些关注三弦的人并不看好三弦现在的发展状况。我觉得任何事情都有其发展的规律,可能在某个特定的时期,三弦的发展就处在一个低潮期。曾经,三弦也有过快速发展的时期。早在清末明初的时候,由三弦伴奏的大鼓书盛极一时;后来在解放初期,样板戏的出现,使其伴奏乐器三弦又有所盛行。20世纪80年代以后,民族管弦乐队的出现使民族器乐的发展向民族音乐的交响化转变。民族管
(Connected period) Zhao Chengwei: (Sanxian performer, associate professor at China Conservatory of Music, master’s tutor, Instructor Department plucked the head of the Department) Folk music Some people concerned about Sanxian are not optimistic about the current development of Sanxian. I think everything has its own law of development. It may be at a certain period of time that the development of sanxian is at a low ebb. Once, Sanxian also had a period of rapid development. As early as the end of the Qing dynasty and the early Ming Dynasty, the big drum book accompanies by the soprano flourished; later, during the liberation, the emergence of the model opera made the soprano of its accompanying instrument popular. After the 1980s, the emergence of national orchestras makes the development of national instrumental music to the symphony of national music. National tube