电视艺术是用光影和色彩进行造型的艺术形式。一部成功的影视作品,它的色彩或基调是在开机拍摄之前就已经确定的。但如何实现预想的效果呢?不外乎两种途径——前期摄像师的把握和后期剪辑师的加工。在IT技术日新月异的今天,后期制作的手段空前强大,似乎已经无所不能,各种能够对视频素材进行色彩调整的软件也是层出不穷。因此,有些编导人员在拍摄阶段对色彩控制的要求降低了,即使画面的颜色或影调不理想,也不“为难”摄像,总是想反正还有后期呢。正是这种观念,使得摄像机在色彩控制方面的功能形同虚设。其实,摄像机上开发的这些功能绝对不是画蛇添足,通过对菜单的调整,可以使色彩更加饱和,层次更加丰富,甚至可以在保证色彩真实还原的基础上进行艺术化的创作。用好这些功能,不但能够减轻后期工作量、降低制作成本,而且能够使画面保持自然和细腻,不至于被观众日益“挑剔”的眼睛看出更多“加工”的痕迹。 Television art is an art form that uses light and shade to create shapes. A successful movie and TV work whose color or tone has been set before starting the filming. But how to achieve the desired effect? ​​There is nothing more than two ways - the previous photographer’s grasp and post-editor process. Today, with the ever-changing IT technology, post-production means unprecedentedly powerful, it seems that has been omnipotent, a variety of video material can be color-adjusted software is also emerging. Therefore, some directors in the shooting phase of the color control requirements reduced, even if the screen color or tone is not satisfactory, not “embarrassed” camera, always want to have anyway, there are still late. It is this concept that makes the function of the camera in color control useless. In fact, these functions developed on the camera are by no means superfluous. By adjusting the menu, the colors can be more saturated and the levels can be more enriched. Art can even be created on the basis of ensuring the true color reproduction. Taking advantage of these features, not only can reduce post-production workload, reduce production costs, but also to make the screen to maintain the natural and delicate, will not be the audience increasingly “critical” to see more “processing” traces.