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鲁迅《故事新编》中写于1934年和1935年的五篇小说,可以界定为一种泛历史小说;但因为这些历史小说大多以中国文化源头的一些原型人物为依据,以及鲁迅特殊的文化斗士身份,这些小说又可以认为是文化小说。解读这些小说如果联系起鲁迅早期的“立人”思想,能更加深入体会鲁迅在其中蕴含的文化寓言。其中,有他认可的禹墨精神、“莽汉”生命力的肯定和从尼采那里借来的“超人”。
The five novels written in 1934 and 1935 in Lu Xun’s “New Story” can be defined as a pan-historical novels. However, most of these historical novels are based on some prototypes of Chinese culture and the special culture of Lu Xun Fighters identity, these novels can be regarded as cultural novels. Interpretation of these novels, if linked to the early “Liren ” thought of Lu Xun, can be more in-depth understanding of the cultural allegory contained in Lu Xun. Among them, there is his recognition of the ink spirit, the affirmation of the vitality of the “reckless” and the “superman” borrowed from Nietzsche.