本文主要就米兰·昆德拉创作的“遗忘”三部曲——《慢》、《身份》和《无知》,意图解读出其中所蕴含作家的存在美学观。在描述与揭示现代人生存状态之存在的诸种可能性中,昆德拉仍然继续了自己熟练的创作思路,笔法更为精炼地拉开了对存在之问题的思索与探究。 This paper mainly focuses on Milan Kundera ’s “Forgotten ” Trilogy - “slow”, “identity” and “ignorance”, intending to interpret the existential aesthetics of the writers contained therein. Among the various possibilities of describing and revealing the existence of the modern state of existence, Kundera still continued his skillful creative thinking, which strokes more thoroughly the contemplation and exploration of the existing problems.