中国戏曲到了清代乾嘉年间,由于政治、经济、艺术多方面的原因,出现了一个新的局面,昆曲渐趋衰落,新兴的地方戏已在全国范围内蓬勃发展,出现花部(指京腔、秦腔、弋阳腔、梆子腔、罗罗腔、二簧调等地方戏)与雅部(指昆山腔)争胜的局面。焦循的《花部农谭》就是一部关于花部的专著,它是我国戏曲理论批评史上研究地方戏曲的第一部专门论著。焦循(1763—1820),字理堂,一字里堂,别号雕菰楼主人。江苏甘泉(今扬州)人。清 During the period of Qianlong and Jiaqing in the Qing Dynasty, Chinese opera appeared a new situation because of the political, economic and artistic reasons. Kunqu opera was gradually declining, the emerging local opera had flourished throughout the country, Shaanxi Opera, Yiyang Cavity, Bangzi Cavity, Luo Luo Cavity, two reverie and other local opera) and the Ministry of Justice (referring to Kunshan cavity) victories situation. Jiao Xun’s “Flower Department of Agriculture Tan” is a monograph on the Department of flowers, it is the first drama in the history of Chinese drama theory of local opera the first specialized works. Jiao Xun (1763-1820), word hall, a word in the hall, altar carved floor owner. Jiangsu Oasis (now Yangzhou) people. clear