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随着人类社会的不断进步,这个世界越来越“人化”。什么叫“人化”?简而言之,“人化”就是符合人性的真善美的素质越来越多,违背人性的假恶丑的素质越来越少。从这个客观的人文视角来看,艺术家的生存意义说到底无非就是为了给这个“人化”的进程以形象的审美推动。而这个“人化”的形象审美推动,首先离不开“人的形象”的艺术创造。“人”是艺术的中心。“人的形象”自然是艺术世界中的中心形象。表现“人的形象”,这是艺术家——当然首先是人物画家创作实践的中心课题。
With the continuous progress of human society, the world is becoming more “humanized.” What is “humanization”? In short, “humanization” is more and more of the true, the good and the beautiful that is in conformity with human nature, and the quality of the false and ugly people who violate human nature is getting less and less. From this objective humanistic point of view, the ultimate meaning of the artist’s existence is, in the final analysis, just to give the “humanized” process an aesthetic promotion of the image. And this “humane” aesthetic image of the promotion, first of all, inseparable from the “human image” of artistic creation. “People” is the center of art. “Human image” is naturally the central image in the world of art. The expression “human image” is the central task of the artist - of course, above all, the creative practice of the figure painter.