近二十年来,廖雯以其对女性艺术的态度梳理出一条不同于西方女性主义艺术的中国方式之路。她认为,繁复的生活最终通过类手工的形式反射进精神世界,从而导引出一种可能与自我对话的女性艺术,并把“心境”作为女性生长的基础。该展集她三年观察的结果,于2010年1月在宋庄龙德轩艺术中心展出,铺陈出她对当下中国女性艺术的一个新的线索。 For nearly two decades, Liao Wen combed the Chinese way different from Western feminist art with his attitude toward the art of women. She believes that the complicated life eventually reflects into the spiritual world by hand-like forms, leading to a feminine art that may be able to dialogue with oneself and using “state of mind” as the basis for the growth of women. The result of her three-year observation of the exhibition, which was exhibited at the Longde Xuan Art Center in Songzhuang in January 2010, sheds light on her new clue to the contemporary Chinese female art.