道教舞蹈与中国传统武术之间存在着密切的互动、渗透或融合关系,道教斋醮仪式舞蹈表现了鬼神之间激烈战斗的内容,其中包含的传统武术成分尤其显著,它们大多数包含拳术、剑术、掌术、刀术成分。“癫道士醉舞”、“散仙醉卧逍遥山”等舞蹈中融有大量“醉拳”的成分。“烛龙噀雨舞”融入大量“龙形拳”、“蛇形拳”成份。“祭五公”舞蹈中融入有“猴拳”、“虎形拳”等成分。“神仙戏鸭”、“白凤伴仙”等舞蹈融入有“凤形拳”、“鸭形拳”成分。“道士斩旱魃”、“钟馗驱瘟鬼”、“道公耍剑驱邪”等舞蹈则包含丰富的“剑术”成份。道教舞蹈是“舞”、“武”混融的动态身体之艺术,呈现出刚柔相济、文武互彰的审美特色。 There is close interaction, infiltration or integration between Taoist dance and Chinese traditional martial arts. The Taoist Zaidiao ritual dances show the fierce fighting between ghosts and gods. Among them, the traditional martial arts are particularly prominent. Most of them include boxing, fencing, Tactical, surgical components. “Epilepsy drunk dance ”, “immortal immortal drunk lying happy mountain ” and other dance melted with a large number of “drunken fist ” ingredients. “Candle 噀 Yu Dance ” into a large number of “dragon-shaped boxing”, “serpentine boxing ” ingredients. “Festival five male ” into the dance with “monkey boxing ”, “tiger-shaped boxing ” and other ingredients. “Fairy play duck ”, “Bai Feng with fairy ” and other dance into the “Phoenix shaped boxing ”, “duck shaped boxing ” composition. “Priests cut drought ”, “mongolian drove ghost ”, “dignified sword exorcism ” and other dance is rich in “fencing ” composition. Taoist dance is the art of dynamic body blending “dance ” and “Wu ”, showing the aesthetic characteristics of combining martial arts and soft power with each other.