如果说,戏剧界产生“危机”的焦灼,最初是因为“观众锐减”的显性刺激的话;那么,目前加深戏剧界“危机”感的,至少还有这样一些因素:电影、电视在与戏剧争夺着观众的同时,更在掠夺性地争夺着戏剧的演员、导演、编剧和美工,造成戏剧界从观众到创作队伍的双重“水土流失”;文化机构在囊中羞涩的窘困中,连连向戏剧团体出示“断奶”的“黄牌”,缩减拨款,使戏剧团体排戏演戏都感到了经 If the dramatic “crisis” of anxiety in the theater industry was originally caused by the explicit stimulus of “sharp drop in the audience,” then there are at least some other factors that deepen the “crisis” of the theater industry at the moment: movies, television, Dramatic competition for the audience at the same time, but also in a predatory theater for the actors, directors, screenwriters and artists, resulting in drama from the audience to the creative team of the double “soil erosion”; cultural institutions in the embarrassing embarrassment, Repeatedly appearing to the theater groups “weaned” “yellow cards”