每次走进商場,我經常注意那些花色繁多的日用品、陈設品上的花紋装飾,發現在搪瓷、印花布、絲綢、手帕、头巾、陶瓷器、挑补花、刺綉、漆器、景泰藍以及香粉香水的包装上,时常用小小的蝴蝶装飾着。但这些蝴蝶形象往往是变化少、写实多,不够耐看。我常常想,我国民族民間艺术中的蝴蝶紋样是很多的,特別是形态的变化更为丰富,其中不乏优秀佳作,大可以給我們啓發参考,从而推陈出新。因此,我就想以蝴蝶为專題,进行收集、整理和研究工作。通过这个工作一方面可以比較深入地向民族民間艺术遺产学習,一方面繪制一套資料,也可以貢献給广大工艺美术工作者作参考,好处很多。这是我收集、整理和繪制蝴蝶圖案的动 Every time I walk into the mall, I often pay attention to those colorful daily necessities, furnishings on the decorative patterns found in enamel, calico, silk, handkerchiefs, headscarves, pottery, pick up flowers, embroidery, lacquer, cloisonne and fragrance perfume The packaging, often decorated with small butterflies. However, these butterfly images are often less changed, more realistic, not enough to look good. I often think that there are many butterfly patterns in the folk art of our country. In particular, the changes in morphology are more abundant. Many of them are excellent works which can greatly inspire and inspire us. Therefore, I would like to focus on butterflies, collect, organize and research work. Through this work, on the one hand, we can learn more from the folk and folk heritage of our country. On the one hand, we can draw a set of materials and contribute to the general arts and crafts workers for reference, which has many benefits. This is my move to collect, arrange and draw the butterfly pattern