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乔晓光在当代中国美术界的形象在1980年代是前卫艺术青年,从民间艺术入手,进入迷狂欣喜的现代美术。而从1990年代以来,他是一位著名的人文学者,一位对中国民间美术和非物质文化遗产充满热爱、积极抢救、保护宣传,并且就中国剪纸等民间艺术向联合国积极申请世界非物质文化遗产名录的主要推动者。近年来,他顿然觉悟,画了一大批新作,给了我们一种全新的视觉体验,让我们又看到一位站立在民间美术与现代艺术基础之上的当代艺术家,其根基仍然是来自中国的民间艺术。正如他所说—“蓦然回首,民间却是另一番天地,这里没有文明障眼的高墙。如果你是个觉悟者,站在大山大河旁,立在朴素的平原上,就能一眼看到混沌初开的天地。”
In the 1980s, Qiao Xiaoguang’s image in the contemporary Chinese art world was avant-garde art youth, starting from folk art and entering into a modern art with madness and delight. Since the 1990’s, he has become a famous humanist. He is full of love for Chinese folk art and intangible cultural heritage, actively rescues and protects propaganda, and actively applies to the United Nations for the world intangible culture in the folk arts such as Chinese paper-cut. The main promoter of the heritage list. In recent years, he has suddenly realized that drawing a large number of new works has given us a completely new visual experience. Let us also see that a contemporary artist standing on the basis of folk art and modern art still has its roots in China Folk art. As he said - “When I look back, there is no civilization in the world, there is no civilization barrier wall .If you are an enlightened person, standing on the mountain river, standing on the plain plain, you can see at a glance The beginning of the chaos world. ”