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唐代文人的赏石美学包含两个层面:一是从灵石崇拜到形态审美,人与自然之间建立纯粹的审美关系;一是从形态审美到精神审美,主要包括石之象征自然山峰、蕴含隐逸色彩、浸染理想人格三个方面,人与自然的关系从纯粹审美上升到精神相通。针对当前社会的各种生态问题,学界提出了“回归自然”、“精神生态”的论题,关注焦点从自然转向人的精神,与唐人的赏石美学异质同构。饱含生态智慧的诗歌、文化等文学艺术有着重要的生态美学价值。
Aesthetics of Tang Dynasty literary people’s appreciation of stone contains two aspects: First, from spiritual worship to aesthetic form, between man and nature to establish a purely aesthetic relationship; First, from the aesthetic form to spiritual aesthetic, including the stone symbol of the natural peaks, Containing secluded colors, the dissemination of the ideal personality, the relationship between man and nature from purely aesthetic to spiritual similarities. In view of the various ecological problems in the current society, the academic circles put forward the thesis of “returning to nature” and “spiritual ecology”, paying attention to the fact that the focus shifted from the nature to the human spirit and is heterogeneous with the ornamental aesthetics of the Tang people. Rich in ecological wisdom poetry, culture and other literature and art has an important ecological aesthetic value.