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中国文化洋溢着一种乐观情调,它强调人与自身、他人乃至天地的和谐。和谐犹如一把利剑,削去现实的痛苦、历史的忧患,劈开一条乐呵呵的人生之路,也给中国美学带来独特的面貌。中国古代审美愉悦观并在此基础上产生了。北宋郭熙在论山水之美时,曾谈到两种审美观照心理,一是可行可望,一是可居可游。这涉及到审美愉悦的两种境界,可行可望,是耳目之娱、视听之乐,它虽也是一种审美活动,但终是局外人的目光,显得不那么纯粹。而可居可游是在发现人与大自然根本亲和后所获得的一种会心的愉悦,它不是局外
Chinese culture is imbued with an optimistic tone that emphasizes the harmony between man and himself, others and even heaven and earth. Harmony like a sword, cut off the pain of reality, historical concerns, split a happy life, but also to bring a unique look of Chinese aesthetics. The ancient Chinese aesthetic conception of pleasure came into being on this basis. When discussing the beauty of landscapes in the Northern Song Dynasty, Guo Xi talked about two kinds of psychology of aesthetic appreciation. One is that it is feasible and the other is that he can travel freely. This involves two kinds of realm of aesthetically pleasing, it is feasible, is a pleasant entertainment, audio-visual music, although it is also an aesthetic activity, but the end is the look of outsiders, it is not so pure. Coco-Tour is a delightful pleasure to find after the basic affinity between man and nature, it is not outside