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大凡战争题材的电影,主题表现方式无非有二:用宏大叙事梳理战争的脉络,刻画将领的运筹帷幄,战役的起承转合;或用微观视角关注战争中的人,用人性的挣扎折射战争的残酷,用个体的命途多舛悲悯大时代车轮下的苍生。前者注重呈现庄严的历史,后者注重亲切的人文关怀。电影频道节目中心2013年出品的由马绍民编剧、张馨导演的电影《小号手》显然属于后者,它在主人公的内心层面纵向挖掘,以散记的方式谱写发生在
In the movie of war, no matter how the theme is expressed, there are no more than two modes of expression: combing the context of war with grand narratives, portraying generals’ strategies and campaigns, or focusing on people in war with microscopic perspectives, refraining the brutal war with humanity’s struggles, The individual’s life more than sympathy for the common people under the wheels of the era. The former focuses on showing a solemn history, while the latter focuses on cordial humane care. Produced by the film channel program center in 2013 by Ma Shaomin, Zhang Xin, director of the film “trumpeter” apparently belongs to the latter, it is the heart of the protagonist vertical mining, writing in the manner of scatter occurs in