废名小说一直缺乏相对纯粹的田园诗意。由于无法调和艺术世界的诸多矛盾与冲突,最终陷入进退失据的意义纠结和表达困境,成为一种厌世意义下的田园失落过程。厌世出于一种由“哀愁”激起的弥散性情感向更为消沉的虚无主义情怀的演进,而诗意则源于文学梦境失落过程中审美自足性的持留、沦落与幻灭的挽歌倾向。如此的田园世界,很难在传统和现代中进行明确归属,迷误间呈现的艺术得失,实为废名小说所独具。 Fei’s novels have always lacked the relatively pure idyllic nature. Due to the inability to reconcile the numerous contradictions and conflicts in the art world, it eventually plunges into the tangled and expressive predicaments that make up the basis for retreat and loss, becoming a process of pastoral loss in a world-weary sense. The world of disgusting world is evolved from a diffused emotion stirred up by “sadness ” to a more depressed nihilistic feeling, and the poetic originated from the tendencies of elegance and selfishness in the process of loss of literary dreams . Such a pastoral world, it is difficult to clearly belong to the tradition and the modern, misunderstood artistic gains and losses, in fact, unique to the famed novel.