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我们好像已经久未谈及这个题目了。或者,这是由于三十年代至五十年代,乃至六十年代最初大谈电影如何反映历史的反作用,以致最终需要暂息此论了?或者,问题全在于这种暂息的需
We seem to have long talked about this topic. Or, this is because the reaction from the 1930s to the 1950s and even when the film was originally talked about in the 1960s reflected the historical reaction so that it eventually needs to be resumed? Or, the problem lies entirely in the need for such a respite