《生死疲劳》是莫言回归中国传统文化的大作,其对章回体和民间叙事的运用,对佛教文化的吸收,对历史的重述,及受西方魔幻现实主义的影响,赋予了小说显著的互文性。从互文性解读《生死疲劳》可以揭示小说中包含的多重文化与历史内涵,也为全方位阐释该作品提供可能性。 “Life and death fatigue” is the masterpiece of Mo Yan’s return to Chinese traditional culture. His use of Zhang Hui and folk narratives, the absorption of Buddhist culture, the reinterpretation of history, and the influence of western magical realism gave the novel significant intertextuality Sex. From “intertextuality” to “life and death fatigue” can reveal the multiple cultures and historical connotations contained in the novels, and also provide the possibility of interpreting this work in an all-round way.