第一次世界大战后的巴黎,正迅速从战争的创伤中恢复过来。画家和雕塑家们打开了工作室,诗人和作家们重又聚会,这活跃的艺术氛围,孕育着新的文艺思潮,也吸引了世界各地的艺术家。这时,有六位年轻的作曲家在一起合作,举行发表作品的音乐会。他们写了一卷钢琴曲集,共同为科克托提供的芭蕾台本《埃菲尔铁塔的新婚夫妇》写音乐,为此,评论家亨利·柯莱写了一篇题为《俄国的“五人团”与法国的“六人团”及埃里克·萨蒂》 After World War I, Paris was rapidly recovering from the trauma of the war. Painters and sculptors opened their own studios, where poets and writers reunited. This lively artistic atmosphere created new literary trends and attracted artists from all over the world. At this time, six young composers were working together to hold concerts where the work was published. They wrote a roll of piano compositions that together wrote music for Cotonou’s “Newly-married Couples at the Eiffel Tower” on the Ballet d’Or, for which critic Henry Curley wrote an article titled “The Russian” “And the French” six groups “and Eric Satie”