论文部分内容阅读
晋顾恺之提出的“以形写神”说,是我国绘画美学史上极为重要的理论,也是为历代画家深为赞赏和在实践上自觉遵守的理论。这一理论,正确地解决了中国传统绘画美学的核心问题——形神关系问题。人们对“以形写神”的理解,一般认为是借形以传神。据此,又认
Jin Gukai’s proposal of “describing God by shape” is an extremely important theory in the history of Chinese painting aesthetics as well as a theory deeply praised and practiced by ancient artists. This theory has correctly solved the core issue of traditional Chinese painting aesthetics - the relationship between God and God. People’s understanding of “writing God” is generally considered to be vivid by the form. Accordingly, again recognized