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文章通过古代文献中对“逸品”记载的考察,试图从社会功能角度看待“逸品”的发生。作为对绘画品鉴标准的反动,“逸品”以概念化的不定相存在,是针对既有绘画形态及其观念并超越它们的艺术可变“对形”。而“逸品”的提出,则是一个艺术超越的思路。顺及指出历史中“逸品”的三个发生及成立的条件。
Through the investigation of “Yi Pin” recorded in ancient literature, the article attempts to view the occurrence of “Yi Pin” from the perspective of social function. As a reactionary to the standard of painting and tasting, “Yi Pin” exists as a conceptual indefinite phase and is an art-changeable “variant” of the existing painting forms and concepts beyond and beyond them. The “Yi Pin ” made, it is an idea beyond the arts. Shun pointed out that in the history of “Yi Pin ” the three occurrence and the conditions for the establishment.