摄影术诞生至今已整整170年,在最初的60年中,沙龙摄影成为绘画新的对抗形式,摄影在美学中的地位被人们激烈地讨论和批判。其中波德莱尔对摄影在艺术中的定位的评论对后来摄影艺术的转向起了很大的推动作用。本文主要根据波德莱尔的批判内容对其加以引申,意在展示摄影艺术在诞生初期发展的脉络。 For the first time in 60 years photography has become a new form of confrontation in photography. The position of photography in aesthetics has been intensely discussed and criticized. Baudelaire’s comment on the orientation of photography in art played a great role in the later turning of photographic art. This paper extends it mainly based on Baudelaire’s critical content, aiming to show the context of the development of photographic art in the early days of its birth.