大足石刻中的宋代舞蹈图像探微

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重庆大足石刻集儒、释、道“三教”造像艺术精华于一体,尤以宋代石刻造像最具鲜明的民族性和世俗生活化的特色,蕴涵着丰富的宋代舞蹈艺术图像资料,在反映宋代人们的宗教信仰、精神追求及审美发展变化同时,也折射出宋代舞蹈艺术的风格特色和审美意蕴。研究这一时期保留下来的舞蹈艺术图像资料,对进一步完善宋代舞蹈史料,探究宋代舞蹈风格特色,深层次挖掘宋代舞蹈艺术价值,为当今舞蹈艺术的创作、发展提供具有现实价值意义的参考。 The Dazu stone carving in Chongqing embodies Confucianism, Buddhism and Taoism as well as the essence of the “Three Religions”. In particular, the most distinctive features of nationality and secular life are stone carving statues in Song Dynasty, which contain rich images of dance art in Song Dynasty. Reflecting the Song Dynasty people’s religious beliefs, spiritual pursuit and aesthetic development changes, but also reflects the style and aesthetic connotation of the Song Dynasty dance art. Studying the images of the dance art images preserved during this period, it is of great value to further improve the dance historical materials in the Song Dynasty, to explore the characteristics of the dance styles in the Song Dynasty, to excavate the value of the dance art in the Song Dynasty and to provide the significance for contemporary dance art creation and development.
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