故宫博物院藏有大量“洋漆”与“仿洋漆”器,亦即日本称作“莳绘”者,中国称作描金漆器,此前尚无人对其进行系统性研究。作者依据实物,并结合相关文献,对这两类漆器的发展进行了全面梳理、总结,特别是对日本描金漆艺如何进入中国宫廷进行了充分的分析,进而又对清代宫廷制造“仿洋漆”器情况以及工艺特点加以探究。此外,作者还通过档案证明,清代有多地制造“仿洋漆器”进贡于皇宫,成为故宫博物院现藏“仿洋漆器”的组成部分。 The Palace Museum contains a large number of “foreign paint” and “imitation foreign paint” device, which is Japan called “painted” who, China called Kam-paint lacquer, no one has not been systematically studied before . Based on the material objects and the related literatures, the author comprehensively reviewed and summarized the development of these two types of lacquer wares. In particular, he made a full analysis of how Japan’s Chinchu paints entered the Chinese court, Foreign paint "equipment and process characteristics to be explored. In addition, the author also proved through the archives that the Qing Dynasty made many tribute to the imperial palace as a part of the Palace Museum, which now houses the imitation Yang lacquer ware.