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中国的钢琴教育一直以来都以西方的教学体系为主,忽视了民族的钢琴作品。但民族文化是民族的根,我们民族的钢琴作品就是我国钢琴艺术的根。就目前中国的钢琴教育来看,当前的现象是很令人担忧的。教育者往往忽视了中国的钢琴作品,大部分教育还是西方化。音乐教育并不是代表着一个人或几个人,它更重要的是代表着一个民族,代表着一个民族的文化。那么要将我们民族的文化传承下去就需要转变传统的教育理念,演奏和推广中国民族钢琴曲。只有坚持我们民族独有的特色才能更长远的实现中国的钢琴教育。本文笔者首先从当今中国的钢琴音乐作品入手,探讨如何实现中国的钢琴教育以及中国钢琴音乐作品在钢琴教育中的重要意义。
Piano education in China has always dominated the Western teaching system, neglecting national piano works. However, ethnic culture is the root of the nation, our national piano works is the root of our piano art. As far as China’s piano education is concerned, the current phenomenon is very worrying. Educators tend to ignore Chinese pianos and most of their education is Western. Music education does not represent a person or a few people, it is more important to represent a nation, representing a nation’s culture. If we inherit the culture of our nation, we will need to change the traditional educational concept and play and promote Chinese national piano music. Only by adhering to the unique characteristics of our nation will we be able to achieve piano education in China in the longer term. This article starts with the piano music works in China today, and discusses how to achieve the piano education in China and the importance of Chinese piano music in piano education.