本文运用原始主义的批评理论,重新审视20世纪90年代的一些文学作品,比如《废都》、《白鹿原》、《活着》等,可以发现这些作品大胆张扬原始神秘性题旨,试图在世界的神秘性和人的神秘性体验上返归原始,而在艺术上则常常表现为以现实手法直接传递原始神秘意识,或者重塑初民的文化心态。 Using the criticism of primitiveism, this essay reexamines some literary works of the 1990s, such as Waste Capital, Bailuyuan, and Alive, etc. These works can be used to boldly proclaim the original mysterious subject and try to find out the mysteries of the world Sexual and human mysterious experience returns to the original, but in the art is often manifested as the direct transfer of the original mysterious sense of reality, or to reshape the cultural mentality of early peoples.