本文运用传统的古意美学观和欧文·潘诺夫斯基的图像学理论,结合相互比对的方法,从历史的维度,采用跨学科、跨时空的视角,探讨西画范式的《广州十三行》古意美学的当代表征,揭示海洋文明的时代特质,发掘拓展古意的意旨及其普遍意义。 This article uses the traditional concept of ancient aesthetics and Owen Panovsky’s image theory, combined with the method of mutual comparison, from the perspective of history, using interdisciplinary and trans-temporal perspective, to explore the western painting paradigm of “Guangzhou thirteen Line ”the contemporary representative of ancient Italian aesthetics, to reveal the characteristics of the times of the marine civilization, to explore the meaning of expanding the ancient meaning and its universal significance.