电视剧音乐作为一类规模庞大的艺术形式,在不断追逐鲜明个性特色的同时,确实出现了一些值得深思的问题。音乐在电视剧场域中所展现的巨大修辞能量近些年才开始被挖掘和重视,因此电视剧创作者在音乐的使用和选择上还处于摸索和懵懂的阶段,大多缺乏必要的形上思索和合理的美学规划,一些弄巧成拙、操作失当情况的出现就不足为奇了。本文将重点分析两种颇具典型的电视剧音乐症候。 As a kind of large-scale art form, drama music does not only keep chasing distinct personality traits, but also presents some worth pondering questions. The enormous rhetorical energy of music displayed in the field of TV series has only been tapped and taken seriously in recent years. Therefore, TV dramas are still in the stage of exploration and ignorance in the use and selection of music, most of which lack the necessary metaphysical thinking and reasonable Aesthetic planning, some self-defeating, the emergence of misconduct is not surprising. This article will focus on the analysis of two typical TV drama music syndrome.