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扬雄是西汉大文学家、哲学家、美学家,在书法研究领域,他是把书法与人的主观的“心”相联系的第一人,他第一次突破把书法作为纯技艺操作的藩篱,彰显了书法的主观性。《法言·问神》曰“:书,心画也。声、画形,君子小人见矣。声、画者,君子小人之所以动情乎!”扬雄提出了四个层次的书法美学观:(1)书写是一种图画(即“书,[心]画也”);(2)书法是内心的形象性表达(即“书,心画也”);(3)
Yang Xiong is a great Western philographer, philosopher and esthetician. In the field of calligraphy, Yang Xiong is the first person to associate calligraphy with the subjective “heart” of man. He first broke through the calligraphy as a purely technical operation Fence, highlighting the subjectivity of calligraphy. “Fa Yan asked God” said: the book, the heart of art also sound, shape, the gentleman see the little man ... Sound, the painter, the reason why gentleman villain! “Yang Xiong proposed four levels of calligraphy Aesthetics: (1) writing is a kind of picture (ie, ”book, [heart] painting is also"); (2) calligraphy is a vivid expression of the word