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发掘未知的想象根据V城研究者董启章所言,未来考古学是一门创造当下的辩证法,旨在“把未来当成已然的事实,把过去变成未发生的可能”1,让读者跳脱于时间单一线性的轨迹,徘徊于期待与怀想间找寻经验世界的可能性。香港艺术家尹丽娟的创作就像“未来考古学家”的工作。她的陶瓷创作往往以压模套型的手法,将寻常事物某一刹那的形态凝于陶泥。从用完即弃的塑胶杯到虔敬祈祷的双手,从丹麦的洒洒阳光到湾仔的
Uncovering the Unconventional Imagination According to Dong Qizhang, a V-City researcher, the future archeology is a way of creating contemporary dialectics that aims to “make the future a natural reality and turn the past into a non-occurrence.” 1 Let readers jump Off the track of a single linear time, hovering in the expectation and imagination to find the possibility of the world of experience. The creation of Hong Kong artist Yin Lijuan is like “future archeologist” work. Her ceramic creation is often based on the type of die-type set, the unusual things in a flash of the form of clay. From disposable plastic cups to prayers and prayers, from Denmark to the sunshine to Wan Chai