我们再来看现代诗歌中经常出现的“通感”和“矛盾修辞”手法。“通感”的手法在诗歌中一直存在着,法国象征主义诗人则把它发展成一种诗的方法论,如波德莱尔把自然万物视为向诗人发出信息的“象征的森林”:“浩瀚如黑暗又好像光明,/芳香、色彩、声音在互相感应”(《应和》),而 Let us look again at the “synaesthesia” and “contradiction rhetoric” tactics that often appear in modern poetry. The technique of “synaesthesia” has always existed in poetry, and the French symbolism poet has developed it into a methodology of poetry, such as Baudelaire’s “forest of symbols” which sends everything to nature to the poet: “The vast As dark as light, / aroma, color, and sound interact with each other ”(“ should and ”), and