武汉大学学报1989年第二期刊载骆家彦的论文《民族化与中华文艺的振兴》。文章一开始就指出当今艺术论坛形成一种否定民族化或民族性的理论,似乎一提它,便是“老调重弹”、“向后转”。作者认为对民族化问题的分歧,本质上是对民族性问题的分歧。提出“民族性是一个历史的范畴,是由于民族的存在和它的创造而导致的艺术的一种特殊属性”。所谓“世界 Journal of Wuhan University, 1989, No. 2, Luo Jiayan ’s Thesis on Nationalization and Rejuvenation of Chinese Literature and Arts. From the very beginning, the article points out that in today’s art forum a theory of denying nationalization or nationality appears. As if to mention it, it is “repeating the old tune” and “turning backward.” The author thinks that the disagreement on the nationalization issue is essentially the disagreement on the nationality issue. Proposed “nationality is a category of history, a special attribute of art due to the existence of the nation and its creation.” The so-called "world