戏曲艺术的繁荣和发展,同知识有着不可分割的关系。建国以来,在“改制、改戏、改人”的同时,一批新老知识分子进入了戏曲艺术界,同艺人结合在一起,改变了戏曲班社的知识结构,促进了戏曲艺术的发展。历史事实一再证明:大凡有成就的剧种和演员,都是非常重视知识和尊重知识分子的。京剧之所以在文学性、艺术性方面处于领先地位,就是因为它拥有一批知识广、造诣深的文人,有长期积累和整理出来的经验和作品。越剧之所以能在较短的时间内发展成为全国的大剧种之一,是和众多的、有一定文化素养的新的文艺工作者参与越剧艺术创造分不开的。近年来川剧的振兴崛起,就和它的扩大智力投资,狠抓演员队伍的知识化有直接关系。过去的京剧“四大名 The prosperity and development of opera art are inextricably linked with the knowledge. Since the founding of the People’s Republic of China, a number of new and old intellectuals have entered the traditional opera industry and combined with the artists, changing the knowledge structure of the operas and promoting the development of opera art. Historical facts have repeatedly proved that all the accomplished operas and actors attach great importance to knowledge and respect for intellectuals. The reason why Peking Opera is leading in both literary and artistic aspects is that it possesses a group of literati with extensive knowledge and profound attainments, accumulated experience and works accumulated over a long period of time. The reason why Yue Opera can develop into a national opera in a relatively short period of time is inseparable from the participation of many new literary and art workers who have some cultural accomplishments in the art creation of Yue Opera. In recent years, the rise of Sichuan Opera revitalization, and its expansion of intellectual investment, pay close attention to the knowledge of the actors have a direct relationship. Past Peking Opera "four names