《现代主义之后的艺术史》第八章集中讨论了“全球艺术”自身内在逻辑遭遇的矛盾和面临“少数群体”冲击与挑战的境地。“全球艺术”观念的形成与能指存在先天的空间错位,完全脱离于西方兴趣,以普适性的标准放诸于来自世界各地的展览和收藏。“世界艺术”的观念伴随西方现代 Chapter VIII of “Art History after Modernism” focuses on the contradictions inherent in the logic of “global art” and the impact and challenge faced by “minorities.” The formation and signification of the concept of “global art” are inherently dislocated from space, completely divorced from the interests of the West and put universally applicable standards on exhibitions and collections from all over the world. “World Art ” concept with Western modern times