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汉斯立克的音乐自律论观点把音乐看成是完全自律的,独立存在的。而哲学认识论的观点则认为音乐是社会生活的反映,音乐从现实生活中而来。在此讨论这个问题,可以充分地认识到音乐表现的多重性来源于创作者对生活的体验,音乐不是狐立的,是有情感体验为基础的。而汉斯立克过份强调音乐的自律性是不准确、不科学且不可取的。
Hans Rick’s theory of music autonomy regards music as completely self-contained and independent. The philosophical epistemology point of view that music is a reflection of social life, music from the real life. Discussing this issue here fully recognizes that the multiplicity of musical performance stems from the creator’s experience of life, that music is not fox-based and that it is based on emotional experiences. However, Hans Rick over-emphasizes the self-discipline of music is inaccurate, unscientific and undesirable.