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金代书法历来不显,书法理论相对滞后,而金人题跋数量可观,这些题跋是构成金代书法批评的基石。本文通过对诸多题跋的爬梳,呈现了金代书法批评的状况,明晰了金代书法批评的演进路径,即由金代初期的谀佞之风,到中期的人格崇尚,再到晚期的理性复兴。书法批评为金代书法发展提供了理论支撑。书法批评的演进,也反映了金代书法的客观状况。
The gold calligraphy has always been inconspicuous, calligraphic theory is relatively lagging, while the number of gold inscriptions considerable, these inscriptions constitute the cornerstone of the calligraphy criticism of the Jin Dynasty. This paper presents the status quo of the calligraphic criticism of the Jin Dynasty through the examination of many inscriptions, clarifies the evolutionary path of the calligraphic criticism of the Jin Dynasty, that is, from the grudge style in the early Jin Dynasty to the advocating of personality in the middle period and then to the rationality in the late period revival. Calligraphy criticism provides the theoretical support for the development of Calligraphy in the Jin Dynasty. The evolution of calligraphic criticism also reflects the objective status of calligraphy in the Jin Dynasty.