我觉得很多人太纠结于诸如“作者电影”或者是所谓的“影片的作者性”之类的概念。这些概念的提出,要放到具体的历史语境里去看:先是阿斯特吕克发表了《摄影机——自来水笔》,里面提到了“电影作者”这样一个概念;紧接着特吕弗发表了关于“作者论”的一系列文章。这些年轻人当时是一个什么情况呢?他们都活跃在一个直到今天都还是很重要的电影理论刊物《电影手册》的周围,这实际上是一批电影发烧友。按照特 I think many people are too entangled in such concepts as “author movie” or so-called “author sex”. These concepts are presented in a specific historical context: First Astrücker published “Camera - Fountain Pens”, which mentions the concept of “movie author” Eph has published a series of articles on Author’s Theory. What happened to these young people at the time? All of them were active around the “movie manual” of a theoretical movie that is still very important today, which is actually a film enthusiast. Follow the special