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中国的审美意识同中国传统哲学是密切相关的,儒道思想比较关注本源注重“美与丑”“气与骨”等美学范畴,尤其是庄子哲学以“自由”为核心内容,把哲学审美化,审美心理化的观念影响着中国画笔墨形象的追求。笔墨是中国画艺术的基本表现语言,笔墨结构和笔墨形象是中国画外在的表现形式,承载着画家乃至整个时代的精神面貌。笔墨形象因笔、墨、水、纸以及画家情感等不同因素的参与而具有无限的丰富性,具有很强的艺术感染力。笔墨形象以“搜妙创真”为前提条件,以“书写性”为媒介,以“笔墨相生”为途径,以“气韵生动”为审美目标,共同建构着中国画笔墨形象的精神世界。
The aesthetic awareness of China is closely related to Chinese traditional philosophy. Confucianism and Taoism pay more attention to the aesthetic sources such as “beauty and ugliness” and “qi and bone”, especially Zhuangzi’s philosophy with “freedom” as its core Content, the philosophical aesthetics, the aesthetic psychology of the concept of the impact of Chinese painting and calligraphy pursuit. Pen and ink are the basic expression language of Chinese painting art. The structure of brush and ink and the expression of brush and ink are the external manifestations of Chinese painting, carrying the mental outlook of the painters and even the entire era. Because of the involvement of different factors such as pen, ink, water, paper and painter’s emotions, pen and ink image has infinite richness and strong artistic appeal. The image of pen and ink is based on “writing ” as the medium, “writing and writing ” as the avenue and “vivid and vivid ” as the aesthetic goal to jointly construct Chinese painting Pen and ink image of the spiritual world.