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我和一群年轻学人关注改革开放以来中国美学研究这一课题,开始于几年前。我们以研究生课堂、小型研讨会、QQ群交流等多种方式,持续讨论该领域的问题。其收获之一,便是完成了一部百万言的《中国美学三十年———1978至2008年中国美学研究概观》,出版后受到学界的肯定,在读者中产生了一些反响。但是我认为,对于30年中国美学的整体梳理、回顾、总结与反思,不但我们做得还很不够,而且在学界也才刚刚开始。深入开展这方面的探讨,对中国美学学术的健康发展,无疑具有重要的意义。于是我提议参加过《中国美学三十年》写作的原班人马,继续从不同方面对30年中国美学进行研究。或抒写研究心得,或概括某一具体领域的总貌,或描述某一研究热点的发展趋势,或就某些基本问题进一步深入探索。这一提议获得大家的积极响应,于是就有了这一组九篇笔谈文章。我从全局上概括了30年中国美学的学术史意义,刘兆彬讨论了30年美学的两个重要问题,于永森着重强调了30年中国古代美学应有的价值取向,徐庆博、耿鹏、仲崇宾和翟乃海、阴妮娜、吴云松等分别讨论了30年间美学研究对象、审美心理、文艺美学、审美教育、审美文化等较集中的热点问题,任瑞金则尝试探讨了30年台、港、澳地区美学研究给我们的启示。各篇笔谈文章论题虽各自独立,但均以30年中国美学总体探讨为核心,旨在抛砖引玉,引起人们更深刻的思考和更热烈的争鸣。
I and a group of young scholars concerned about the issue of Chinese aesthetics since the reform and opening up began several years ago. We continue to discuss issues in this area in a variety of ways, including graduate classes, small seminars and QQ group exchanges. One of its gains is the completion of a million words of “Chinese aesthetics thirty years --- 1978-2008 Overview of China’s aesthetics study”, published by the academic affirmation, produced some repercussions among the readers. However, I think it is still not enough for us to review, summarize and reflect on the aesthetics of China in the past 30 years, and it has only just begun in academia. To conduct a thorough discussion in this respect is undoubtedly of great significance to the healthy development of Chinese aesthetic studies. So I proposed to participate in the “Chinese aesthetics thirty years” writing the same people, continue to study 30 years of Chinese aesthetics from different aspects. Or write down the research experience, or summarize the general appearance of a specific area, or describe the development trend of a research hot spot, or further explore some basic issues. This proposal received everyone’s positive response, so there are nine articles in this group. I generalized the significance of the academic history of Chinese aesthetics for 30 years on the whole. Liu Zuobin discussed two important issues concerning 30 years of aesthetics. Yongzon emphasized the value orientation that Chinese ancient aesthetics should have for 30 years. Xu Qingbo, Geng Peng, Zhong Chong Bin and Zhai Nai, Yin Nina and Wu Yunsong discussed the hot topics such as the subject of aesthetic study, aesthetic psychology, literary aesthetics, aesthetic education, and aesthetic culture in the past 30 years respectively. Ren Ruijin tried to discuss the situation of 30 years of Taiwan, Hong Kong and Macao Enlightenment from Regional Aesthetic Studies to Us. Although each of the articles on the topic of writing articles is independent of each other, all of them focus on the 30-year general discussion of Chinese aesthetics, aiming at drawing lessons from others and arousing people’s deeper thinking and warmer contention.