近年来,对比分析各艺友创作的题名古榕的作品照图,笔者视野拓宽,受益匪浅,结合自己的实践有以下认识:古榕贵在古,“古”应名副其实,从根、干、枝三方面体现出来。根:应四向幅射,板根粗大,布满坑稔,凸凹嶙峋,根干连接部裸露土面。干:头大干粗,一头多干,四向扩散,有主有次,各干收尾自然,要有走向变化,非自然形成的枯朽要不露人工痕迹。枝:比照村边路旁的古榕,其枝大多数横飘或下跌生长,顶枝 In recent years, comparative analysis of the artist’s title Gu Rong’s work according to the map, the author broaden their horizons, benefit a lot, combined with his own practice has the following understanding: ancient ronggui in ancient times, “ancient” should be veritable, from the root, dry , Three branches reflected. Root: Radiation should be four-way, root thick, covered with pit, convex concave 嶙 峋, root dry connection bare surface. Dry: The first big, the second is dry, the other four are diffused. There are times between the main and the end. Each will end up naturally, and must undergo changes. The unnatural decadent will not reveal any traces of labor. Zhizhi: cf the village side of the ancient banyan tree, most of its branch floating or falling growth, the top branches