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以张晓刚为代表的一批当代中国艺术家,在作品处理上杂糅了前现代、现代和后现代以及中西方各个时期的多种绘画风格与技法,在内容、形式、风格、主题上形成了具有本土色彩的思想和语汇。这种尝试告别了纯粹的西方传统油画与现代油画的视觉体验,更不同于传统中国绘画的笔墨与人文关怀,是一种不别过往、面向未来的历时性与共时性同存的别现代艺术的典型代表。其不足之处在于缺乏思想、生搬照抄以及模仿复制西方美术作品等,别现代“跨越式停顿”这样一种新思想,将为中国当代美术建立真正具有民族性、世界性的美学范式和绘画语言提供新的启示和路径。
A group of contemporary Chinese artists, represented by Zhang Xiaogang, have mixed a variety of painting styles and techniques in the pre-modern, modern and post-modern periods as well as various periods in China and the West in the processing of works. Color ideas and vocabulary. This attempt to bid farewell to the pure visual experience of Western traditional oil painting and modern oil painting is more different from the traditional Chinese painting brushwork and humanistic care, which is a kind of modern art that does not separate from the past and faces the future The typical representative. The inadequacies lie in the lack of thought, the reproduction of copies and the copying and copying of Western art works, etc., and the new thinking of “leap-over pause” that will establish a truly national and cosmopolitan aesthetic paradigm for Chinese contemporary art. And drawing language to provide new inspiration and path.