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贡布里希认为亚里士多德主义和新柏拉图主义是影响基督教图像的两大观念力量,这两支哲学力量从中世纪到文艺复兴时期的此消彼长,改变了基督教艺术的功能和意义。在亚里士多德主义为主导的中世纪,图像主要是以教谕为目标的图画文字;到了文艺复兴时期,新柏拉图主义占据了主导地位,它强调完美图像对神性的象征,促成了图像从程式到再现的转变。贡布里希所采用的图像学方法将帮助我们从社会历史角度理解各个时期基督教艺术的原始意图。
Gombrich believed that Aristotelianism and neo-Platonism are the two major conceptual forces that influence the images of Christianity. The shift of these two philosophical powers from the Middle Ages to the Renaissance changed the function and significance of Christian art . In the Aristotelian-dominated medieval Middle Ages, the images were primarily pictorial images based on the teachings; by the Renaissance neo-Platonism dominated, emphasizing the symbolic image of the divine nature of the perfect image and contributing to the image The transition from programming to reproduction. The method of image used by Gombrich will help us to understand the original intention of Christian art in all periods from a social and historical point of view.