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每到春节,家家都要贴福字。中国的“福”字,是一个吉祥的图腾,讲究圆融、饱满、吉祥。所以这幅作品,就力图无处不圆融、无处不饱满,配上吉祥的云纹,一派欢乐祥和的“福”之意象便产生了。外国人常说中国的书法就是抽象的画,其实我想用这幅作品向大家表达的看法是:汉字作为世界上的一种象形文字,本身就是抽象与形象的结合,所以,当汉字与意象和精神的表现相结合后,就是一幅绝美的抽象画。这,只有汉字才得天独厚。
Every Spring Festival, every family must paste blessing. The word “blessing” in China is an auspicious totem, focusing on harmony, fullness and good fortune. Therefore, this piece of work tries hard to blend in everywhere and be full of everything. With the auspicious moire, a happy and peaceful “blessing” image emerges. Foreigners often say that Chinese calligraphy is an abstract painting. In fact, I would like to use this work to express my opinion that as a kind of pictograph in the world, Chinese characters are the combination of abstract and image. Therefore, when Chinese characters and images Combined with the spirit of the performance, is a beautiful abstract painting. This, only Chinese characters blessed.