在美学意义上用“空域”这个范畴较早的是联邦德国接受美学主要理论家之一的沃尔夫冈·伊瑟尔。他在《本文与读者的相互作用》一文中强调指出,文学中的交流是一个被置于动态并到调节的过程,其动力不是一种既定法则,而是一种处于内在与外在、隐蔽与显露之 Aesthetically, the term “airspace” was earlier applied by Wolfgang Isel, one of the main aesthetics scholars in the Federal Republic of Germany. He emphasized in his article “The Interaction between This Article and the Readers,” that communication in literature is a process of being dynamic and regulative. Its motivation is not an established law, but rather an internal and external concealment And revealed