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元杂剧作为极具元代特色的一种戏曲表现形式,是游牧民族和农业文明相互摩擦下顺势而生的市民文学作品,直射元代封建统治和社会现实,语言泼辣口语化,个性鲜明。研究元杂剧中的称谓利于帮助人们了解这种语体的语言特点和文化意蕴。本文欲选取元杂剧代表作家关汉卿现存的18部元杂剧,立足于古代女性称谓的语料,从语言学角度分析元杂剧中的女性称谓词,对其进行系统地分类整理,在探求其词汇的语义特征同时浅析其蕴含的文化价值。
Yuan drama, as a drama form with the characteristics of the Yuan Dynasty, is a literary work of the citizens born under the mutual friction of nomadic and agricultural civilizations. It directly reflects the feudal rule and social reality of the Yuan Dynasty. Studying the title in Yuan drama helps to understand the linguistic features and cultural implications of this style. This thesis attempts to select 18 excerpts of Yuan drama from the representative writer Guan Hanqing of the Yuan Dynasty and analyze the female appellation in the Yuan drama based on the corpus of the ancient female appellation. At the same time, it also analyzes its cultural value.