本文运用勒内·吉拉尔的替罪羊机制和迫害文本理论,以全新的视角对托妮·莫瑞森的《秀拉》进行解读。“底层”黑人社区把秀拉当作替罪羊献上祭坛,但没有缓解社区内部的危机,反而给自身遭致更大的灾祸。戏剧性的结果体现了作者的深刻用意,一方面批判了白人社会对黑人的多重压迫,另一方面也谴责了主人公与黑人民族文化传统的偏离,以及黑人社会对“不同力量”的压制。 In this paper, using the scapegoat mechanism and persecution text theory of Rene Gillal, this paper interprets Toni Morrison’s Sula as a new perspective. The “bottom” black community presents Sula as a scapegoat, but it does not ease the crises in the community, but instead causes more scourge to itself. The dramatic result embodies the author’s profound intention. On the one hand, he criticizes the multiple oppression of white people by the white society. On the other hand, he denounces the deviation of the protagonist and the black national culture and the repression of the “different forces” by the black society.