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邓箭今作品很少直接去触及社会问题,无论是构置场景的画面,还是动作具体的形象,即使是男人、女人和小孩握着手枪,也和经常发生在美国校园的枪击案没什么关系。前前后后,贯穿其作品的是窥探的欲望,是男性对自我的窥测以及通过自我去窥视异性。所以他的画始终有一种自我审视和内心独白的性质,充满精神焦虑与欲念的困扰,纵情无解,欲罢不能。
It is rare for Deng Jianjin’s works to directly touch on social issues. Whether it is a scene-setting picture or an action-specific image, even men, women and children holding pistols have nothing to do with the shootings that frequently happen on the campus of the United States. Before and after, through his work is the desire to snoop, is a male peephole of self and peep into the opposite sex through self. Therefore, his painting always has a self-examination and inner monologue in nature, full of mental anguish and desire trouble, indifferent, unable to stop.