在上古美术考古中,一些形式上抽象的艺术品尤其是雕塑艺术品,不乏存在着朦胧的图腾痕迹。在由对自然崇拜转向祖先崇拜的过程中,这种朦胧的图腾观,其嬗变过程如何?其内容与形式又如何?在回答这两个问题的同时,美术史中的一些疑难现象,透过“转型期图腾艺术”即可解释,类似四川广汉三星遗址发现的系列青铜人面像(1)的艺术语言亦可披露。 In ancient art archeology, some forms of abstract works of art, especially sculpture works of art, there is no lack of traces of tumultuous presence. In the course of changing from worship of nature to worship of ancestors, what is the process of its transmutation? What are its contents and forms? While answering these two questions, some of the difficult phenomena in the history of fine arts can be traced back to “Totem Art in Transition” explains that the artistic language of a series of bronze human faces (1) found at the Samsung site in Guanghan, Sichuan Province can also be disclosed.